What I’m reading this week: “Lost in a good game,” by Pete Etchells 🕹💡📖 Is it worse for young people to experience killing and death IRL (in real life), or in a video game? This is not merely an academic question. Deranged individuals now regularly commit IRL mass shootings using IRL weapons of war to murder innocent people. Yet those weapons of war only exist because they are used every day for the IRL official killing and death of people in less fortunate countries around the world. Are video games to blame for real deaths? Or are video games merely another vivid example of art imitating life? This book takes the latter view, and begins by sharing how video games actually helped the author, a psychologist, cope with the death of a loved one. Video games do not cause violent deaths— they are works of art that provide a dearly needed respite from the harshest realities of a dangerous real world beyond our control, according to the author. I’m looking forward to reading the rest of this interesting book to learn how this thesis plays out. 📚
Conquered. Occupied. Stripped of power and privilege. Dick’s classic 1962 novel imagines life in an America that lost World War II. The Nazis and Japanese fascists have conquered the United States and divided it into territories, the spoils of war, over which they rule supreme. The Pacific States are controlled by fascist Japan– the South and East states, by Nazi Germany. The Rocky Mountain states lay in between, dismissed and overlooked, a no-mans land where the German and Japanese superpowers struggle for power in a diplomatic Cold War.
Much of the action takes place in San Francisco and the west coast. It’s a horrifying world fraught with deception, cruelty, greed and prejudice cloaked in banality and extreme cultural control. In this nightmare world, the dream of an alternative universe in which the United States England, and Russia won the war captures the imaginations of millions-— sparked by a wildly popular book-within-a-book that describes this mirror world in vivid detail. The book’s central characters struggle to reconcile these twin visions, which are more alike than not, as the plot drives them inexorably toward the climactic confrontation with the book-within-a-book’s author, the Man in the High Castle.
Written in the 1960s, Dick’s novel remains a work of genius however its blunt style and raw depictions of deep-seated racial animus raise the question of how it would be received if it was written in today’s world of reactionary divisiveness and identity politics. Another question is whether he intended his book to be a subtle indictment of the post World War II new world order of the 1960s, which at the time had its own forms of social control, cruelty, deception, greed, and prejudice. The novel’s descriptions of what American life might be like under fascist control leaves no question that a German/Japanese victory would have led to a dystopian hellscape of a society. Yet it subtly hints at a third way, between the darkness and the light, for which we all unconsciously yearn, yet which may only ever be a dream.